When you’re curating a program for yourself at an event or conference you’re often doing so consciously and conscientiously: there are things you need to see or attend for work, or for something new you need to wrap your head around. Then there are those times when it seems like you have no agenda except for entertainment and pleasure, which doesn’t mean, however, that your curated program is serendipitious or magical. This is what this week’s Berlinale is for me. I found myself curating one part of my program with some expected resonances: three films involving female protagonists reconstructing or re-discovering the past, and in doing so visit the unstable ground between, and in the creation of, fiction and non-fiction:
1. Kate plays Christine. Robert Greene. 2016.
In 1974 in Sarasota, Florida, a 29 year old newscaster, Christine Chubbuck, shot herself, fatally, on live TV. In 2015, an actress, Kate Lyn Sheil, prepares to recreate that moment and the film follows her journey.
2. A Magical Substance Flows Into Me. Jumana Manna. 2016
In the 1930s, Robert Lachmann, a German, had a radio show featuring “Oriental” i.e Palestinian music. In 2014, Jumana Manna, a Palestinian artist, travels around Israel and Palestine playing recordings from the old shows and recording contemporary versions. What do these songs sound like now when performed by Moroccan, Kurdish, or Yemenite Jews, by Samaritans, members of the urban and rural Palestinian communities, Bedouins and Coptic Christians?
3. The Watermelon Woman. Cheryl Dunye. 1996
Cheryl is a young black woman working at a video store. She becomes curious about black women playing stereotypical ‘mammys’ in films from the 1930s and 1940s. She sets out to discover one who is known only as the Watermelon Woman, a black lesbian actress who had an affair with a white woman director….
I’m excited to see them all and will be writing about them here..